Lyndon has worked in over 40+ Films, 25+ Television shows and numerous Stage Productions. Her wacky performance as Bobbi Michelle in LAST OF THE RED HOT LOVERS at The Tiffany Theater garnered critical notoriety and earned her a ìMarquee Comedy Award.î Lyndon worked her comedy skills at THE GROUNDLINGS, THE COMEDY STORE and THE INTERNATIONAL BLEND COMEDY TROUPE with Rick Overton. She was Tim Dalyís punk secretary "Nina" in ALMOST GROWN for CBS, the hilarious "Marybeth" in the FOX Series FREDDYíS NIGHTMARE, worked with Ed O'Neil in MARRIEDÖ WITH CHILDREN, Daryl Sabara's (Spy Kids) mother "Arlene" in ROSWELL, "Angie" in 18 WHEELS OF JUSTICE and the current GOT MILK? "Taunt the Monkey" National Campaign.

Lyndon also Guest Starred in JAG as tough "Petty Officer Darling," starred as "Mavis" the outrageous director in CURSED P3 - written/directed by Rae Dawn Chong, wrapped a lead role in Screaming Mad George's BOY IN THE BOX and a flamboyant Diva Star in Jordan Rothbergís HOLLYWOOD PA and as a guru therapist in Frank Roelís THE TROPHY LIFE. In August, ACTORS ANONYMOUS previewed at the 2003 Documentary Film Festival. Lyndon is one of 8 actors who share personal feelings about making it in Hollywood.

She immediately became involved in many theater organizations there, including Philalatheis, the student theater organization, and the Shakespeare Troupe which put on one of the bardís plays a year. She did musicals (including Sondheimís Company), Greek tragedies (Wertenbakerís Love of the Nightengale and a modern adaptation of Orestes by Charles Mee Junior, where she was challenged to play a sexually abused war victim), Shakespeare (Romeo and Juliet, Macbeth, Henry IV, part I as Hotspur, King Lear as Goneril, and A Winterís Tale as Paulina) as well as modern and original plays (including Marberís Closer as none other than Anna).

In her Junior year, she was fortunate to be able to travel to London for the British American Dramatic Academy program where in addition to scene study classes, she took voice, stage combat, movement, improvisation, and theater history classes. She saw over thirty plays in the three months that she was there which wet her appetite to make the transition into professional theatre. Her first experience with a professional company came during her time at Vassar. For two of her summers while she was at Vassar, Anna was involved with New York Stage and Film, attending first as an apprentice, and then as a hired member of the company, performing plays and teaching classes.

Anna was happy to conclude her time at Vassar with a self translated production of Jean Genetís ìthe Maidsî as Solange, one of the two deranged and murderous sisters. In her final time at Vassar, she also returned to the medium of film when she took an ìActing for the Cameraî class. She concluded that despite all the theatre she had done, she was also very excited by film, and made the decision to move to Los Angeles where she could easily pursue both mediums. The move also returned her to the West Coast, which kept her nearer her family in Oregon.

After moving to Los Angeles, she has become involved with several different projects, including Boy in the Box, another chance to try a new genre. Anna couldnít have gotten this far without the support of her family and friends, and thanks them for their undying support of her work. She thanks her mentors, Dennis Reid, Bobby Shriver, Kerrie Keane, and especially Erin Gray.

He got his B.A. in Theatre from Westmont College in Santa Barbara. Past experiences include touring Scotland with the Lit Moon Theatre Troupe performing dance and mask work as well as shooting a Lifetime Network special.